Blog - ChoirCommunity
We have noticed a lot of discussion recently about the complexities and difficulties around music licensing and copyright. Many choir leaders find this a very confusing and frustrating subject area, which is not surprising given the amount of seemingly conflicting information which is out there and how prone that information is to interpretation.
At ChoirCommunity, helping to solve this problem is one of the most important objectives we have sought to achieve since starting up in 2018. We wanted to make it easier for talented choir leaders and musicians to legitimately share the arrangements they have written with other choirs, while also making the proper purchasing of great choral music easier and more affordable for as many singing groups as possible around the world.
In order to do this, we have taken on many of the complexities and costs involved in ensuring the music available on our website is fully licenced and that all the artists and rights-owners get properly rewarded for their work. We have also tried to explain as clearly as possible how the licencing of music works and how we have set things up at ChoirCommunity (for example in our FAQ page), but I’m aware that we have never actually explained everything all in one place, so here goes!
If you have the patience to read to the bottom, you should end up knowing everything you need to know about music licensing!
We thought we’d try a new way of showcasing some of the great music we have on ChoirCommunity and especially the fantastic talent embodied in our wonderful team of arrangers. Each week, we’ll put a new video up on YouTube created by one (or sometimes more than one) of our arrangers of a song which is available from our library for download. The format will be a mixture of ‘virtual’ and live performance and we hope you’ll enjoy subscribing to the channel and having a listen each week.
The first video to be published is Wendy Sergeant’s version of I’m Still Standing, sung by Wendy herself along with Doug Watts (another of our team of arrangers), Catherine Smith and Katherine Everett. The video was created by Doug as part of the Portishead Festival of Song in 2020.
The sheet music and learning tracks for this arrangement can be downloaded from the website here.
Make sure you subscribe to our YouTube channel and click to receive notifications of videos as they come out each week at https://www.youtube.com/c/choircommunity
We’re delighted to welcome the multi-talented Tim Allen to the team of arrangers this month and Craig has marked the occasion with another wide-ranging and often fascinating chat with Tim over Zoom.
We’re constantly looking to find new ways to make the website better and easier to use, especially when it comes to search for the right piece of music! One of the things which has held us back is the way in which all the classification data – things like genre, voicing, difficulty level, accompaniment, choir type, etc. – have been grouped together as ‘categories’ or ‘tags’.
Well, this has now all changed, along with a brand new design for all the pages on the website where our arrangements are listed. Now you can filter any list by any of these categories independently, while also typing more specific search terms to find exactly what you want.
We hope you find the new page design easy to use and more importantly, enables you to find the best arrangements for your choir quickly and easily.
All the product pages still have the ability to preview the full scores, as well as listen to an excerpt of the ensemble learning track for every arrangement (well, nearly every one – we’re working on that!). All our learning tracks are all properly sung and recorded in high-quality audio as well to make the browsing experience as enjoyable and useful as possible.
Try out the new full catalogue search page here.
We hope you like the changes – please let us know by replying on this post, or emailing us directly at [email protected]
We’re delighted to welcome Jake Alexander to the growing team of ChoirCommunity arrangers this week. Jake is a multi-talented musician and instrumentalist, who spends his time in a wide range of musical activities, as well as writing and arranging choral music.
It’s only taken four years, but we’ve finally got around to having a chat with Craig – Co-founder of, and prolific contributor to ChoirCommunity! Many thanks to Gitika Partington for taking Craig out of his comfort zone and putting him through the same sort of paces he has set for all our other arrangers over the last few months.
There are some great stories, as well as lots of insights into Craig’s approach to musical direction, arrangement and composition, influenced by exposure to some of the greatest musicians the country has produced from a very early age!
Despite the latest boom in Sea Shanty interest they have been a regular feature of the folk session that our resident soprano, Laura Featherstone has taken part in for many years. The annual Sea Shanty festival in Falmouth is also a very popular event every year, so they have always been big business down in Cornwall. However it’s fair to say that the same favourites are sung often, so Laura thought she would try and create something new!
This week, we’re delighted to welcome our newest arranger, Kate Shipway to the website. Kate is the first new arranger to come on board via our new ‘Artist Application’ process which we introduced at the end of 2020. Her submission was the one which really caught our eye so it’s great to be able to publish her first collection of songs and arrangements this week.
In this week’s blog, we finally present a chat between Craig and our other founding arranger and ChoirCommunity co-director, Gitika Partington.
Gitika has been a wonderful supporter of the ChoirCommunity initiative since the very start and it’s been great to have her support (and of course here fantastic music) throughout the first three years.
This is worth a complete blog in its own right as it is such a lovely story with one of our own at the centre of it. Sam Burns is currently taking a sabbatical / on semi-retirement building a school in Portugal, but still managed to find time to help a little girl in Pennsylvania, with the help of his Bristol MAN Chorus, some sea shanties and a special lullaby….
The first thing to sat about this blog is that Richard is not a new arranger at all – in fact he is one of the original three (along with Craig and Gitika) who helped to launch ChoirCommunity at the start of 2018. It’s just taken a little bit longer to get round to him – but then we haven’t had recorded a video chat with Craig or Gitika yet either!
In this Zoom chat, Craig and Richard talk about his musical influences and memories, as well as getting into the craft and joy of creating the perfect choral arrangement.
Richard has a fantastic collection of pop arrangements on the website which will add sparkle to any repertoire. Preview all his arrangements here.
In the seventh of our series of video conversations with our team of arrangers, Craig chats to Dom Stichbury about the formative years of his musical career, leading choral groups of different types, including male voices and many other aspects of how music has influenced him.
The collection of Dom’s arrangements, which will continue to grow, can be found on his shop page here.
Photograph is of the Bristol Gasworks Choir by James Barke
The first time I learned songs in unaccompanied harmony by ear was at a “Sweet Soul Sisters” Bristol workshop in the early 1990s. I remember feeling my musical brain being challenged in a new and exciting way – trying to remember intervals by feel rather than counting the lines on a stave, noticing how the five parts of the song fitted together and letting the notes slowly seep into my brain – without the help of a musical score. And I was moved to tears by the sensation of singing in harmony with a large group of people. Two members of the Sweet Soul Sisters (Dee Jarlett and Ali Orbaum) later started the now legendary Gasworks Choir teaching large numbers of people in this same way, by ear.
In this, the sixth of our series of video conversations with our team of arrangers, Craig chats to Anna Tabbush about her very musical upbringing and her passion for making music an experience with emotional and physical impact.
All of Anna’s arrangements, to which we are expecting to add may more, can be found on her shop page here
After a short summer / autumn break, we return to the fifth of our series of video conversations with our fantastic team of arrangers and composers. In this installment, Craig talk to Paul Ayers about his own musical influences and passions and the trials and tribulations of trying to get work published.
All of Paul’s arrangements, including his collection of 3-part settings of Christmas Carols can be found on his shop page here.
Community Choirs come in all sizes and shapes and the diversity across these variations is wonderful. When my own choir started out around 12 years ago we majored on singing quite straightforward songs with repeated verses, things we could grasp fairly quickly yet were very effective and fun to do. Songs from the African continent, Folk songs and Spirituals fitted that category. And we still love singing those sorts of songs, it’s really the core of what we’re about.
The wealth of classical choral repertoire has a reputation for being beyond the reach of most Community Choirs but we have over the years found this not to be the case, and if chosen carefully and taught in the same way we learn all our pieces, there is much pleasure to be had in dipping some toes in the waters of this great rich ocean.
Wendy isn’t actually a new arranger, but we didn’t make nearly enough fuss about her the first time around so we’re making up for it now! In the fourth of our series of video conversations, Craig and Wendy chat about early influences, song-writing and arranging techniques and much more besides!
All of Wendy’s arrangements can be found on her shop page here.
In the third of our series of video interviews – partly inspired by the the experience of endless Zoom calls during lockdown – Craig talks to Val Regan about his musical influences and the particularly inspiring attributes of music and arranging which have guided her through her career.
In the second of our series of video interviews – partly inspired by the the experience of endless Zoom calls during lockdown – Craig talks to Doug Watts about his musical life and the steps which led up to joining ChoirCommunity!
This is the first of a series of interview blogs (or vlogs?) introducing new artists as we welcome them to ChoirCommunity. Thanks in part to the deal we have signed with Hal Leonard, we have been able to expand no only our library of music, but also our team of arrangers, many of whom had songs which were effectively locked away in drawers until now.
Abi Moore is one of these talented musicians who contacted us well over a year ago to see if we could work together. It’s fantastic to be able to start offering her music now on ChoirCommunity and we thought it would be great to try out something new to support welcoming her, and our other new arrangers to the website.
Or, “How an Ageing Choirleader Briefly Sullied His Hands and Became a Spokesman for All The World’s Downtrodden Workers”
Day to Day
Overall, it’s actually not bad. A lot of the men comment that this is one of the best warehouse gigs in the west. Nightshift (10pm-6am) pays just over £300/week after tax, which is top whack apparently. (Yay….. 😉
Plus, there’s many fewer Orange Jackets on the night shift – the line managers. Us green jackets distrust ’em, though they’re mainly ok really. Here, as everywhere, the odd person who was clearly bullied at school & now finds themselves in a position of power is easy to spot, but happily there are few.
Most importantly, though we work hard non-stop. There is no-one constantly pushing us to work even faster, & there’s time to do the job properly. That’s a game-changer in any crap job. Our manager paused as he passed last night, cast a critical eye & said. ‘Nice pallet that’. I swelled with pride… -”Nice? – Moana Pallet Lisa mate!” He laughed & moved on. A good moment.
Or, ‘How an Ageing Choirleader Briefly Sullied His Hands, & Became a Spokesman for All the Worlds Downtrodden Workers.”
You clock in/out at the door. A second late equals 15 mins docked pay & a bollocking. Ant-like & vaguely 2m apart, our feisty platter of misfits files down to the evening briefing.
Good news! Last night we were (again) the most productive shift of the 24hrs …and the lowest sickness rate. We scoff of course, but are secretly proud. Night shift represents. Bays assigned, the teams head out.
Or, “How an Ageing Choirleader Briefly Sullied His Hands and Became a Spokesman for All The World’s Downtrodden Workers”
Monday March 16, approx 4.30pm, the PM proclaimed, ‘No More Non-Essential Gatherings’.
Like so may others, my wife & I spent a few minutes in shock, carefully weighing & re-weighing his words before realising that, yes, this was indeed the end of all choral activity for the foreseeable, & thus also of our income. I sent a mail cancelling that evening’s rehearsal, then went down there anyway, just in case anyone didn’t get the message in time. Once back home, we immediately began job hunting.
By 1am I had applied for every available delivery/warehouse job within 20 miles of our house. (Coz we figured that parcels & nursing would be the only sectors working in the coming months). Adel chased up social care.
By Weds 18th, we both had several offers, which was just as well, coz that was the day that the school I worked in shut down. We chose the 2 options with hours that allowed us to both to work full time & perhaps cope with home schooling too.
On my first Sunday at university back in 1982 I attended an evening service at St Michael Le Belfry in York – it was specially for students to welcome them to the town and there was lots of singing. I noticed some particularly good harmonies emanating from the row behind (I’m not impartial to departing from the tune myself occasionally). At one point in the service we were encouraged to turn to the person behind or in front and welcome them, so I turned and was surprised to find that the source of these extra tenor lines was in fact the well known hymn writer Graham Kendrick, who was already a household name in contemporary church music circles even back then.
Move this on 38 years.… As part of my musical life I have the privilege of being musical director of Young Voices and I am always looking out for suitable songs for all the children’s choirs each year. It so happened that two totally unrelated friends wanted to introduce me to Graham and emailed me within days of each other encouraging us to meet, because my friends thought he had a song we should look at.
A message for Choir Leaders from Gitika @Choircommunity.net
Hi everyone. I wanted to say a bit about value, well-being and connection relating to us as choir leaders. In October 2019 just before the beginning of my Autumn Choir term my mum died very suddenly. I was in terrible shock and had really not appreciated the connection I had with my mum, who was old-school northern, but also very spiritual and ‘out of the box’ – she told me she loved me a tiny handful of times during my life and was ‘true to her tastes’ throughout hers (didn’t care for my voice, my original songs, but seemed quietly to like the choir work I did). But we were connected in music. When we were children the whole family sung close harmony together to a very high level and I found it impossible to contemplate standing in from of my beloved choirs when it felt like my spiritual umbilical chord had been ripped from me. Every song reminded me of my mum. I wailed every day for 95 days, had a day off and then wailed some more.
I contacted some of my community choir leaders and asked them for guidance. The feeling that struck me the most was that when grief is so deep, standing in front of a group being ‘inspirational’ is a tough and challenging call to make. A few colleagues said they had carried on through a loss because of financial concerns and in the end, just got so drained or ill they had to stop anyway. I had a wonderful head teacher colleague who told me unless my ‘well of well-being was full’ I would not be able to nurture others. This was my livelihood, but also I was aware that I could not do it if I had nothing to give. I had to trust the universe would provide; so I let all my choirs know and refunded all the fees (as I did not want to put a time limit on my grief). A few lovely souls told me to keep the term’s money and buy cake or do some composing. I had lots of support and messages from them too.
I was just beginning to feel a bit ok when another younger family member died very suddenly and then we were hit by this crazy virus which has been nagging at us all since the New Year. There has naturally been a lot of panic and anxiety from many choir leaders due to fear of no income and mixed feeling about letting so may people down, and because we are in the job of connecting people – that is what we do. It is natural that our first thoughts would be to how we are going to get our online choirs on board. We at Choir Community offered a free session to sing-along on Friday evening (Saturday morning down-under). To be honest, I was a little cynical that there was some ‘jumping on the band wagon’ going on but Craig and Piers moved forward with such love and passion that it has become (for want of a better word at this time) infectious. When we piloted it earlier in the week and I watched Craig conducting on my computer screen, as I sang along I shed a little tear, it was unexpectedly moving. Already choir leaders are feeding back that the online sessions they have had with their choirs have been really uplifting.
But you don’t have to start right now! My feeling is, even though there is panic about how the bills will be paid, we all have to make sure we are ready to inspire, and after all the shock, you might need some time to get your ‘well of well-being’ topped up. You might yourself need a couple of weeks of self-isolation, self-meditation, time with your nearest and dearest, cooking, singing along to your favourite song on the cd (what I have been doing) before you start the baby steps, or humungous strides forward into the next part of our singing adventure in whatever form it takes. I am off to my first on-line ‘stitch and bitch’. Crocheting anyone? Take care
Love Gitika x